the 1950s Orton created an alter ego, Edna Welthorpe,
guardian of public morals and inveterate letter writer.
Orton used Edna’s letters to goad authority into
revealing their own innate idiocy and priggishness.
Orton was not above writing letters criticising his own
plays in order to generate controversy (and column inches).
A letter of complaint from a JHP Joy was passed to Orton
from the Criterion Theatre and Orton responded as Edna,
asking if he will join her in setting up a meeting with
the Lord Chamberlain to protest about the play.
Edna was not his only character and over the years, right
up to his death, Orton wrote letters under different pseudonyms,
which he used to create mischief and argument. A selection
of letters by Edna and others are featured in the following
pages, showing another facet of Orton’s wicked sense
Next to see some of